Dark Forest: A Cinematic Short

Cinema started with the short film and it has been a long tradition of movie makers to take this process and work to create something fresh, a story that is strong enough to stand on its own and convey a message in a short amount of time, Nevis Studios is now stepping into that arena with their new crowdfund project: Dark Forest.

“In the gripping thriller "Dark Forest," Detectives Danny and Fiona pursue a serial killer terrorizing the Scottish highlands. The tension escalates as they close in on the elusive criminal and search for missing victim Anna Frey.”

With a creative vision that will open up doors to creativity as well as jobs, the team behind this crowd funder for Dark Forest, are looking at an expansive and long reaching movement of cinema.

Crowd funding is a common practice now and gives people the opportunity to be a part of the creation of cinema and the team behind Dark Forest are open to the challenges that this creates and see it as an investment in not just a film but in the process.

To learn more about the company or the project see:

Nevis Studios Website.

Nevis Studios Facebook.

Nevis Studios Instagram.

Dark Forest Campaign.

A New Addition To The Lost Library

A new addition to the lost library is the fantastic book by Begona F Martin titled Special Makeup Effects & Prosthetics - An essential guide, a truly fascinating and well structured look at the potential of special FX and prosthetics aimed at the cosplay market, it offers up a wealth of information, resources and tips that will be beneficial to a wide range of creatives from makeup artists working in media to cosplayers looking to up their game.

With her extensive background in the arts as well as FX, Begona’s (BB to her friends) book is to me, a must read for those looking to expand their knowledge and test the waters of flat moulds and silicone, with step by step images and detailed explanations of each process with cost-efficient recommendations that will help those on a budget looking to get more creative in their work taking you through materials and techniques in a way that is easy to follow and insightful.

From the images to the text, it is all created by Begona over two years showcasing absolute passion for not just the special FX industry but sharing the skills that she has gained over the course of her career.

To learn more about the book or to purchase from her range of ready made FX or just to follow her work see:

Begona F Martin Website and Store.

BBFX Etsy Store.

Begona Martin Instagram.

Cosplay Instagram.

Introducing Screaming Unicorn Productions

In the current content hungry world we find ourselves talking to Screaming Unicorn Productions, based in Glasgow, and making films for the world, they have already garnered numerous festival accolades for their short horror films and quest to bring cinematic projects to a worldwide audience.

A close knit group, they welcome new faces and talents who join the team whose passion for films shines out in their grindhouse style of horror filmmaking and gives them something of a unique look that works well and keeps the content flowing as well as creating opportunities such as their latest project (crowdfunding is underway) Skelf a Christmas Horror, which judging by previous projects will be a critical success and garner the team more accolades to add to the growing list.

Open to the potential of collaboration, the Screaming Unicorn productions ethos is about community and learning with each project opening up the chance to expand on skills or add to your repertoire by being part of something new, a really clever way of building not just a network but making film accessible and something The Lost Creatives approves of.

From a purely artistic stance, horror offers the most potential for creativity and fun in film, making this a concept that works and opens up (creaking) doors to festival accolades and commercial sales with the digital download market.

To learn more about the company or to support their new project via their crowdfunding campaign see:

Skelf: A Christmas Horror Short Fundraiser.

Screaming Unicorn Productions Website.

Screaming Unicorn Productions YouTube.

Screaming Unicorn Productions Instagram.

Screaming Unicorn Productions Facebook.

New Village Video

As we are all aware there are major changes in motion in the mainstream market of film and TV, which is leading to the question “can the indies step in and entertain us?”  Happily the answer is yes, and sites like New Village Video are stepping up to the plate with gusto and bringing old school values and entertainment back to the market.

Focused on the best and brightest of the indie, art, and grindhouse movie scene, New Village Video is about the charms of a video store combined with the best of the digital age. 

Indie film is the heart of much of their work and their films have that “straight to video” feel that is somewhere between nostalgic and innovative, offering you the chance to support new and emerging talents, filmmakers and artists in a way that is entertainingly quirky.

What this means is there Is an option for us out there who have lower budget visuals and tongue in cheek chic films that are about pure entertainment, getting films out there and opening the door to genre based films that focus on the popcorn chucking entertainment, and scares that a good movie should.  From a filmmaking perspective New Village Video is the modern version of the VHS for hire route that gave us cult/underground movies that went from backyard films to schoolyard legend without the need for a PR team.  

Giving power to the indies is just a small part of what this offers, New Village Video is set to become the digital film archive for those who just want to entertain.  Worthy of checking out on all fronts: from consumer to artiste, the potential to showcase your work, make money on your investment, and have your film seen is enough to tip the scales in their favour and as someone who appreciates movies, and has a set of goals that include schlock horror, this will be top of the list for me to showcase my own films and with their commission rates in the favour of the filmmaker, it is without question a good time to be an indie filmmaker in a fluctuating market. 

To learn more about New Village Video or to discuss submissions see:

New Village Video.

Submissions at New Village Video.

Building Your Team Featuring Vshowcards

Something I have seen quite a lot of when on social media is the individualist aspect of marketing, by that I mean promotion of just one aspect of what you do as a creative, forgetting that when it comes to a shoot be it film, TV, or photographic it is a team affair.

One of the biggest reasons we say this is because our own creative director JamesC has reached out to the team behind vshowcards and will be working with them to assess a proposal for upcoming projects.

Networking, promotion and just old fashioned relationship building over time can be a difference maker in the world of film and TV, we rely on each other to make a shoot run smoothly and efficiently so having good relationships with the team make a huge difference.

With Vshowcards you have access to the a huge number of professionals within industry that will support your moves and if you reach out are willing to help and support, you just need to ask.

From an industry standpoint there is so much more than just your skillset to consider, you are a part of a team, the machine works because we do and supporting each other is the way to move forward and building your team is a lot easier when you have all your information at your fingertips and know you can reach out to others with questions.

To learn more about the Vshowcards set up or to join see:

Vshowcards Website.

Vshowcards Facebook.

Vshowcards Twitter.

Vshowcards Instagram.

Vshowcards YouTube.

Project Notes

A habit our creative director JamesC picked up when living in India that we are actively pushing again, is keeping a notebook and pen to hand, ideal for writing down phone numbers or emails, sketching ideas for photos or as we know he did frequently, outlining plots for TV or film projects.

JamesC has in the last few weeks come up with ideas that will work as short films for festival entry or expanded into a much longer concept that need to be padded to suit the plans for 2023.

Festivals are going to be a very heavy focus of the work ahead, we have spent a lot of time checking options of annual, quarterly and by far our most favoured, monthly film festivals that take film and photo projects.

Of course our favourite book for filmmakers “Don’t F*ck Up Your No Budget Film” by Ivan Peric, plays a heavy part in our thinking because this insightful first hand account of low budget creation is designed to shape your work into a commercial project and works well with our own thinking and add to this the very savvy and again, first hand account of Patricia Jones book “Opening Doors for Working Class Actors” which when combined with Ivan’s book has the scope to create a great combination and open up the projects we have to fresh talent and with the right focus and marketing (kept within a budget) see a series of smaller films and Web TV projects built with a commercially viable slant that will benefit all involved.

We will be using the Vshowcards site for casting and actively encourage people to check them out not just because we think it is a fantastic network site, but for the various casting calls that are available.

Expanding notes on our plan will be slow released through the blog and we will be working hard to get this push running with the Lost Agency supporting it and of course led by our own JamesC who will be front and centre with upcoming interviews including the Behind The Scenes Podcast, amongst the other elements at play.

Stay tuned for more updates and sneak images of our notes.

Mykitco Brush Box: The Artist Solution For Shoots

When it comes to kit for pro makeup artists (and aficionados) Mykitco has become the go to brand focusing on brushes, tools and storage, they are an artist brand at heart understanding not just the changing face of the business but being on top of the creative needs of its customers base which is why the latest addition to the range: My Brush Box TM is a savvy addition to the brand.

As we all know, how we work as artists has changed with people being more aware of hygiene and looking closer at the way we store our kit, brushes in this case being one of the most important, the Mykitco Brush box is a real plus on that front for a number of reasons:

Brushes can be packed to suit the work at hand with multiples for a shoot being placed in the box on both sides or *as illustrated above, with brushes and small palettes that can be stored quickly and easily to access during a shoot in a set bag such as the Backstage Buddy available in small, medium and now a large backstage buddy option, without risk of damage as they roll around in the bag.

With its core of artistry led design at the heart of the business, it is no surprise that artists including our own JamesC, have taken the brand on as go-to for their professional needs.

To learn more about the Mykitco range or to purchase see:

Mykitco Website.

Mykitco Instagram.

For details on their pro discount click here.

The Lost Creatives Christmas

In the last few weeks of 2022 (where has the time gone!!??) The Lost Creatives has gone from strength to strength, don’t get me wrong there have been pitfalls, but overall we have been able to create a network of people that is amazing, offer PR and other forms of support to fellow creatives that was after all the goal of the site.

Christmas for us, will be a time of relaxation with a heavy focus on what will be done in the new year, with commercial work and PR for clients having been the heaviest part of our workload, our creative director JamesC, will be returning to work as a makeup artist on a more open basis and taking on smaller projects to bolster the public side of his work and spending time on some personal projects that will be featured not just here on the Lost Creative but his own site and our partner site The Lost Agency who will be taking a heavier hand in our own marketing and internal affairs. *This means we will be returning to Instagram soon!

We have had some disappointments lately, with meetings and reaching out to potential collaborators falling through mainly due to scheduling issues which as you can imagine as a freelancer, has been a pain, however that will not stop us from pushing forward and with our ties to HOD TV, we will be focusing on that for the future and tackling things in a much more hard-line manner.

Our passion for the arts is not waning, far from it, we have collated magazines, festivals and other information that we intend to make full use of for ourselves, up until now we have put a vast amount of time into clients and not been able to put the lost concept at the forefront but, we are incredibly proud of the fact people have trusted the team.

In the next few weeks we will be releasing our goals and a schedule for this through the site along with a few snippets of art projects to test the waters.

For the moment we are going to allow ourselves a little breathing space for the festive season and release more information soon and options to get involved.

Talking Books and Films With Ivan Peric

Over at The Lost Creatives, we are big fans of Ivan Peric and his book on filmmaking, taken from his own experiences and offering a solid plan for making and selling your work that resonates with our team. We are extremely thankful that he took some time out of his schedule to talk to us and open up about what he has been doing since the launch of “Don’t F*ck Up Your No Budget Movie!”

You are returning from a break after the release of your successful and lauded book “Don’t F*ck Up Your No-Budget Movie!” What have you been doing in that time that you can share with us?

Thanks for this question as it touches upon something that we don't often hear about, and that's taking ''breaks". Taking the time to not do anything and just relax. You scroll down your social media feed and all you see are people pushing the ''hustle'' and "grind'' lifestyle, it's rare you see someone talking about taking it easy and pacing yourself.

“The reality is that everyone needs to take breaks every once in a while in order not to burn out. This is especially true for us artists and digital creators.”

Most of us have full-time jobs and families, so all the extra work we put into our projects ends up taking a toll on our bodies. Just like any car, it doesn't matter if you use it for work or leisure, the mileage always accumulates. So that's what I did, I just took a break from it all, acting, writing, producing...My agent was sending me auditions and I just couldn't get myself to do them. I was physically and mentally drained.

I had written DFYNBM during the pandemic, the editing process was a lot of work and a lot of back and forth with the editors, then the publisher released it pretty quickly so I had to be on my toes and start promoting it right away.

With the uncertainties of the pandemic, everyday life at work, and writing this book, I never got to take a step back and refocus. After a few months ''off'', I now feel great and motivated to continue working on my plans for this book and other projects!

You have spoken quite openly about how your workflow has changed thanks to your experiences in filmmaking, taking you from actor to director/producer to give you control over your projects, how has this affected your style as an actor overall, and is it a method you would recommend?

Yes, I would definitely recommend any actor to pick up a camera and produce something themselves! It's the best experience and you get to see through the eyes of a producer and director. For me, understanding the process gave me much more confidence as an actor.

Once you get to understand how things work, you put much less pressure on yourself. Most young actors are very self-conscious, always wondering what everyone on set thinks of their performance. I was like that, always looking for that validation. By becoming a director yourself, you get to understand that performing is not that complicated and it often doesn't take that much of a ''performance'' as some actors might think.

It definitely grounded my acting style. Every subtle moment is blown up by 1000% on the screen, so it made me understand that less is more because the camera catches everything. You also get to understand the point of view of the director much more.

I remember being a young actor and being devastated by any notes a director would give me after a take. I would take it personally and couldn't understand why the director didn't like my performance. But the truth was that the director never disliked my performance, he just wanted to see something different and push me as an artist. Producing also makes you appreciate every single person on set. You see and understand that everyone has an important role in a production. You just respect everyone more, and out of that respect comes better performances because you want to contribute as best as you can to the project.

What is next for you in the creative arena? Do you have any new projects planned? Will
you be taking your method on the road and teaching the Ivan Peric method of filmmaking?

Every time I come back from a break I want to do it all! I feel inspired to act, write and produce! But I know I will have to focus on one thing at a time. I wasn't 100% satisfied with my book launch as it was rushed by the publisher and I didn't have much time to market it before I had to take a break. So the first thing on my list is to continue to push my book and get it out there to as many people as possible. Yes, one of the ways I will be doing this is by starting workshops for aspiring filmmakers. I would love to have seminars all around the world and inspire others to start making their own movies.

My main goal with DFYNBM was to inspire people who might not have a big budget, or any budget at all, to produce their own feature films. I believe these seminars can complement the book very well by being not only inspiring but also informative and entertaining.

I have so many stories and anecdotes I would love to share that didn't end up in the book! I will start locally here in Montreal, then hopefully expand to the rest of Canada and the US. The next goal after that would be to go overseas! I will also slowly get back into acting. I already have a few auditions lined up that seem like fun. There are also some unfinished scripts I'd like to work on and hopefully produce.

What advice would you offer anyone entering the film or TV arena as an actor, producer, or director?

Make sure you are getting into it because you absolutely love it. Don't do it for some kind of fame or fortune because there is a 99.9% chance you won't get it. Do it from your heart and not your ego. Take classes/workshops, and learn as much about your craft as you can. Watch a lot of movies and shows!

There is a lot of great content out there and so many outlets where you can expose your work. There is no excuse these days, the technology is affordable and platforms are always looking for fresh ideas. Finally, just do it! Pick up your digital camera or iPhone and just go out there and shoot. If you're an actor, record yourself doing scenes or shoot skits to keep yourself sharp, and never give up!

To learn more about Ivan Peric and his work or to purchase his excellent book see:

Ivan Peric Website.

Ivan Peric Instagram.

Ivan Peric Facebook.

Ivan Peric Twitter.

Ivan Peric Youtube.

Don’t F*ck Up Your No Budget Movie! Amazon UK.

Don’t F*ck Up Your No Budget Movie! Amazon USA.

Opening Doors For Working-Class Actors By Patricia Jones

There has been a push to get more working-class people into actors but with that, there has been little to no attempt at providing any information or support, which is why we at the lost creatives were very happy to be able to talk to Patricia Jones, a working actress of note, and the author of the book “Opening Doors for Working-Class Actors.” 

Opening up to her readers about her own journey from her Northern English roots, and struggles, her honest and upfront approach to the art of acting offers up hope for those who want a career in the arts and shows that it can be done. 

The book itself covers the basics of starting out and takes you through the process, offering advice based on experience, anecdotes about people she has met, and how her own life shaped her journey. 

Each chapter sets out a map of the craft and puts you in a position to set a clear path from starting out to finding yourself an agent, with a series of current options that are designed to be researched and cross-referenced to fit your plans, budget, and aspirations. 

Something that stood out for us was the reference to theater as a learning platform, we are big advocates of working on stage as an actor or backstage as a crew member, you will learn a huge amount about time management, voice work, character development and working to the constraints of the stage, another plus is the short and student film market, both of which can give you a chance to build showreel material and network (a very important part of the job of an actor). 

The *book “Opening Doors for Working-Class Actors.” is a book that has been needed for many years and in a content-hungry age of digital downloads, shows that the craft is not just for those with financial means, it is a journey that can be made by anyone with the determination to do it. 

With the full support and endorsement of The Lost Creatives, the book “Opening Doors for Working-Class Actors” is something we highly recommend to anyone looking to delve into the world of acting or to expand their knowledge of the working world of actors. 

To learn more about Patrician Jones or discuss bookings see:

Patricia Jones Twitter.

For further details of the book which is available in Kindle, hardback and paperback format see:

Opening Doors For Working Class Actors Amazon UK.

Finding Solutions

Finding solutions is a big part of the work we do, from our creative consultation work with the Sons of Adonis brand to blogging about shows, The Lost Creatives was built around that concept and we are truly grateful to the people around us, in the last few days our dear friend Keziah Nyam-jim who has been bringing her immense talents in the business world to the table and supporting our changes with some advice, gentle nudges, and more than a few laughs in the process, she has been talking us through options that we would otherwise have missed.

What this means, is we have a much clearer end goal and thanks to Keziah, a timetable to work to, and someone outside of the creative world we live in who is going to give us a critical eye that is much needed looking over the work and plans. Something that we highly recommend.

There are also updates we know are coming to the vshowcards site which will make a huge impact on how we work, and open up doors to projects for many people in the arts and media that will be a gamechanger. Our creative director JamesC, will be amending and changing his own profile with vshowcards and adding the link directly to the website to make promotion a little easier overall.

More updates will be available soon so stay tuned.

Travel and Meeting Contacts Featuring vShowcards

We are really pleased when people reach out, especially when our contacts who have taken time off, come to us to talk about working on something fresh which has been happening a lot recently especially with photographers and a few actors who feel that the time is right to start working on smaller projects to stretch their muscles a little after the uncertainty of the last two years.

Naturally, this has given us the impetus to think a little more deeply about concepts and start stockpiling items that may seem strange but will in the long term be of advantage to us, such as the mix of ready-made prosthetics, butterflies, and other items that would on the surface seem strange.

In addition to this, we are planning a trip to London, part buyers trip and part meet up with friends, although the timing for this has been a little tricky due to family commitments, there are advantages to this that aside from being able to shop, we can discuss plans with the team at vShowcards gaining further insight their upcoming changes (which look to be amazing), our creative director JamesC is already a member which is another reason we want to sit with them and work out some details and add to his profile with strategic work.

What we are planning for is trips to the major makeup retailers, meeting with clients/friends, then returning to Scotland to work on additions to the sites across the board. There is something to be said for this plan that goes beyond the obvious networking, it really is about finding new sources of inspiration on route.

The scope and potential of this trip should be interesting and be a welcome break from the background work we have been doing.

To learn more about JamesC or the vShowcards site see:

JamesC vShowcards.

vShwocards official site.

Don't F*ck Up Your No Budget Movie! By Ivan Peric

As an accomplished filmmaker and actor in his own right, Ivan Peric has become something of a maven for the digital content market and with his book “Don’t F*ck Your No Budget Movie” takes you through the hard-earned and hard-learned process that took his passion for acting and film to a wider audience, detailing the process with retrospective ease to help others in the same place.

Working backward, Ivan Peric talks about his own experience of starting out as a filmmaker taking the mistakes he made, the lessons he learned, and compiling them into an easy-to-follow and frankly common-sense manner that will change the way you look at digital filmmaking and selling your product.

Many new and established filmmakers have the belief that “If I make it, they shall come,” and focus on film as an art form rather than a commercial venture, which if you want to make a career out of this is the wrong approach and often leads down the path of shelving a project. What this book focuses on is taking the art, and the commercial, combining the two, and producing work that will be a showcase of your talents and commercially viable.

What is really refreshing about “Don't F*ck Your No-Budget Movie” is the candor with which Ivan approaches the process, he openly talks about how hard it was to make things happen and why, giving a first-hand view of what he did, how he achieved it and what pitfalls he faced in the journey.

As a team, we can see the value in this book and fully endorse it, our team has worked behind and in front of the camera for over 20 years and we decided that we wanted to focus our energy on producing for ourselves which we had a broad idea of what was involved from previous work, however, taking that knowledge (along with our contacts in distribution, casting, etc), alongside the stellar advice offered by Ivan Peric in his book, we can clearly create a path that will reduce the process of creating a TV or film project and streamline it making it a much more cohesive journey. *It is worth noting even with the experience we have it is always good to source additional information and add to the arsenal of information we have in our pocket, which this book did by verifying our thought processes and giving a clear and concise plan that filled in certain gaps in our knowledge.

To learn more about Ivan Peric or to purchase the book see:

Ivan Peric Link Tree.

Ivan Peric Twitter.

Don't F*ck Up Your No Budget Movie! Amazon UK. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Amazon USA. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Barns and Noble USA

Don't F*ck Up Your No Budget Movie! Google Books.

Don't F*ck Up Your No Budget Movie! Apple Books.

Volunteer Positions At House Of iKons Fashion Show 2022

With fashion week coming this February, there are opportunities to be a part of the scene coming up and The House of iKons is a star of fashion week that is a CV booster, and a chance to learn from some of the best within the industry, to support designers from across the globe, and being a part of fashion history.

As one of the top six worldwide, off-schedule fashion events, House of iKons is a show that has built from the ground up a leading fashion event during LFW, and gives backstage crew, designers, and press the chance to earn their craft on a global platform.

If you are interested in being part of this conversation as a volunteer or looking to be part of the press pit email by clicking here for further information or see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Twitter.

Adding To Your Pro Kit For Makeup Artists Featuring Mykitco

In our last blog, we talked about the books we are adding to our working library which included two fantastic makeup books and one on filmmaking which we thought would be beneficial not only to the team but to our readers.

Now we want to talk to the makeup artists out there and remind you that your kit is important, more so now than ever with changes happening on a regular basis and guidance altering how we work collectively, this admittedly varies by company and by budget, none the less it is a good time to invest in solid kit staples that will ensure you are working smart in the new year from fashion and print through to film and TV.

Mykitco is one of the brands that does feature heavily in our creative directors working kit and with a plan in motion to split the kit into 2 parts (more so the tools) a sale is always a good time to buy up brushes and other accessories especially when they are pro-grade and high quality.

What this means for JamesC, is that rather than a full array of kit items brought in and cleaned in stages, he and the rest of the team will focus on small projects that will allow space to clean and in terms of space reduce the need for a larger table so limiting things to 6 f each brush and careful planning for the looks to ensure that we are working smart, and in a time-efficient manner across commercial projects and our festival plans.

*It is worth taking the time to apply for the pro discount available from Mykitco as this will allow you the flexibility to add to your kit over time and add new items as and when you need them.

For further information on the Mykitco range or to follow them across social media see:

Mykitco Website.

Mykitco Instagram.

Mykitco Facebook.

Adding To Our Book Collection

With the Christmas and New Years’ break in midflow, we wanted to take some time to add to our collection of books for work both in filmmaking and of course in makeup artistry (at the behest of our creative director JamesC). Naturally, with Boxing day sales, and gift cards in our pocket it was a really good time to add to the collection and give us time to read up on new techniques and look at some other perspectives.

Of course, we wanted to share the top 3 books that have made our list and give a brief overview of why we bought them starting with:

Don't F*ck Up Your No Budget Movie!: Inexpensive Filmmaking In This Content-Hungry Age by Ivan Peric, aside from the title (which immediately grabs attention) this was one that from the chapter list alone spoke to the team because it does talk in terms we are thinking and puts the emphasis on the commercial aspect of filmmaking, so we did purchase the book in hardback for our collection. We will be going into more detail on this book for the blog soon with the support of the Author, so stay tuned.

Don't F*ck Up Your No Budget Movie! Amazon UK.

Don't F*ck Up Your No Budget Movie! Amazon USA.

A Complete Guide to Special Effects Makeup 3 by the Tokyo SFX makeup workshop, was a real plus as it will add dimension to the collection and be in line with our second makeup-oriented book, which is one that will be bought in again as a backup. Focusing on cuts, scars, and wounds, this book offers up a different perspective on techniques that we are really interested in and want to integrate into our work next year.

A Complete Guide to Special Effects Makeup 3 Amazon UK.

A Complete Guide to Special Effects Makeup 3 Amazon USA.

Special Effects Guide Of Real Human Wounds and Injuries By Mr. Benito Garcia iii, a must for anyone interested in film and TV makeup, this is a truly graphic and comprehensive book that covers different aspects of bodily injury and shows you in real terms what they should look like making it entirely possible to replicate this with special effects.

Special Effects Guide Of Real Human Wounds and Injuries Amazon UK.

Special Effects Guide Of Real Human Wounds and Injuries Amazon USA.

We have other books coming and within the collection but these were real standouts and worth sharing as we move forward with our own plans and goals.

Christmas Consultations and Other Business

The Christmas season (and by extension New Year) is always interesting for the Lost Creatives team. Our creative director JamesC has been working with a few regular faces pre-show in a private capacity to plan out makeup for the stellar talent Alex Robertson, currently appearing as Dame at the Falkirk Town Hall, alongside his usual work with brands.

As an old friend of the company Alex Robertson has been a supporter and a real boost to our morale, and to have him come to JamesC for advice was a genuine pleasure, he is not only an exceptional talent on stage but a respected character actor for a wide range of TV shows, indie films, and much more, so to be able to support him was a real pleasure and in truth a running laugh as he is a comical person to be around with self-deprecating humor that always makes us laugh out loud. For further information on the show, Beauty and the Beast, click here.

On top of this, we have been doing other types of consult work from PR advice to script work breaking down the financials (in basic form) to help a few indie projects that were stuck with a few minor details. We are incredibly proud of the work we do and appreciate that people see us as a viable source of information and of course promotion for their projects.

In the New Year, we are going to be taking some calculated risks and going public with our work which till now has been for clients and we have had to sign waivers preventing us from showcasing the work, frustrating but nonetheless important for our growth as a team and a company.

While we finish off some of the background work we have before we close for a few days of well-earned rest, we wish all our followers and everyone in the media industry a Merry Christmas, we look forward to coming back in the New Year with more news and updates.

Project Development With The Team Behind The Memento Mori Portrait film

With an important and historical message, the short Memento Mori Portrait film is tackling a heartbreaking moment in Western history and bringing it to a wider audience.  

Having already won 7 awards for the script, the film itself is a love story with a twist, looking at the voices of those left behind and mixing in science fiction, imagination, and memory to create a beautifully sculpted narrative that takes the Holocaust and gives voice to the people who were lost with, the pink triangle badge, being the symbol of their shame and degradation.

An excellent team of filmmakers are already behind the project with accolades across genres and a collective CV of note, this film is a project designed to showcase their work, the story being part of a larger tapestry, it is a moment in time that is important to highlight and a story that deserves to be heard. 

The importance of the message this film creates is part of the reason it is being made and shows that there is still a long way to go with certain rights in the global narrative.  

To learn more about the project or to offer support see: 

Memento Mori Portrait Fundraiser.

Memento Mori Portrait Facebook.

Lumino Films.

Cut Frame Magazine

Designed to be a showcase platform for talent, from emerging to the established, Cut Frame Magazine has been making waves in the arts for its frontline look at the industry and passion for showcasing voices that might otherwise be missed. 

A creative hub that talks to the different people involved in creating the music we love, the theatre we watch, and the film and TV projects we enjoy, Cut Frame has become a go-to for the creative talent sphere that is rapidly gaining eyes outside the industry for its open dialogue approach and easy form. 

Insights from talent are something that frequently gets overlooked especially from the crew, what this magazine offers is them the chance to speak and show the reality of being part of an industry that spans the globe.  

Standing out in the market, Cut Frame has been instrumental in opening up a dialogue with filmmakers and actors who are telling the world about their journey, looking at the films that captivate us, and reviewing them with the critical eye of the talent behind the camera.  

With plans in motion to expand the platform with membership options that will open up further stories that are industry-related and give a more comprehensive and in-depth focus to their work, alongside a podcast culminating an end goal of going beyond the current boundaries and opening up the world to the potential of the creative fields. 

In an industry that relies on networking, marketing, and of course contacts, Cut Frame offers professional insight into that world and gives valuable advice and support to the creative networks out there, and shows us that we are not alone, the industry is there to support you.  

To learn more about Cut Frame, support, or get involved see:

Cut Frame Magazine.

Cut Frame Instagram.

Cut Frame Twitter.

Cut Frame Linkedin.

Support the magazine and its writers via:

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Hitting Deadlines

Working from home and doing multiple blogs, consulting with production companies, and doing costings for projects has been fantastic, it has allowed us to be a part of the creative field and opened up conversations with potential collaborators for the next year. What it also means is we have been able to set deadlines for work and give ourselves flexibility on the stock we have with a view to curating and adding what is needed for the near future.

As you can imagine we are now close to one of the deadlines for an in-house project, small, but nonetheless important. So within the next 10 days, we have to complete a minimum of 3 shoots that will be submitted for a competition we have had our collective eye on for a while now.

It also has been a good time to work on a marketing plan for the new year, which is scarily close and our creative director and head of makeup JamesC has now got a profile with the fantastic vshowcards which is in need of some small updates but is officially live!

Something we have discussed at length is websites, JamesC will revert to his old website soon with some much-needed changes as we have a huge amount of his work saved on the old site, we felt it made more sense just to edit and relaunch versus a rebuild.

Another option we are reviewing and giving serious thought to is an electronic notebook to reduce our paper use or at least a tablet with a good note keeper app, with so much in the market changing we are working to keep on top of this and be as practical about our work as possible.

Stay tuned for updates and further information.